Minor ranting....no, major ranting ahead.
Nothing irks me more than people who ruin music. For example: Doo Wop/Group Vocal Harmony music. Yes it is a very racially one-sidedly sung and created music and should mostly stay that way (yes there are some white members in groups and white dominated groups that knew how to produce the amazing sound.) I don't know what it is but black vocalists have something in their soul/voices that just can take a random set of notes and turn them in something so beautiful. Artists that come to mind that is on the same level are Beethoven and Mozart to name a few. But they are in their own genre so I'll move on.
The Crests - a mixed race (two guys are white!) quartet from Brooklyn - that actually in my opinion are great. Doesn't help that the following is a song that is played on my birthday every year since I was 1 (Im in my mid-30s now, so you can guesstimate the math for yourself.)
The Crests - a mixed race (two guys are white!) quartet from Brooklyn - that actually in my opinion are great. Doesn't help that the following is a song that is played on my birthday every year since I was 1 (Im in my mid-30s now, so you can guesstimate the math for yourself.)
16 Candles
The origins of Doo Wop come from vocal harmony groups - whether that be from church gospel groups -many amazing groups (The Dominoes, The Orioles, etc) started in these (which while not religious, I love the music so much because it moves me to feel spiritual listening to it,) also from a groups of boys singing on the corner and very rarely barbershop like quartets like the Inkspots. There was either nothing musically backing (accapella) or if there was there was the basic: drums, piano, guitar, base violin, the random bells (an added dimension that did not take away), and actual hand claps. The saxophone was added later for more upbeat/uptempo music (I wanted to learn this instrument when I was growing up listening to this music). Speaking of the sax, I actually heard that someone recorded all the uses of a sax in the song in to one recording. Instruments added from Jazz, Jive, Blues and other "Race" music of the time. The really sound came from the backing bass with the thrills, doo's, "doo wops, etc.
Such a prime example on how the Saxophone upgraded a song with the Teenagers.
Why Do Fools Fall In Love
The strings were added later to make the songs more contemporary to the times as they were used by white artists and groups. Therefore bringing it from "Race" music that was played on "unknown" black stations and back alley clubs to popular white stations. The Platters where actually one of the groups that crossed over.
If you listen to the music through out the time you can hear the shift from crude basement/hallway recordings to more cleanly produced records done in studios. It also shows the shift in musical accompaniments. In regards to this, there were many different recordings of the same song, one for the blacks and one for the whites. The Platters themselves had songs in the beginning that were not popular for whites because it was their old sound. They were able to change their format to be more popular, later songs were so infiltrated with strings I want to plug up my ears because of them. I myself loved the black versions for their grittiness and soulful sound. It wasnt appealing to the whites for some strange reason (my guess is that most whites can't get deep with the music)
Only You.
Did you even know they could do gems like this? So bluesy - so beautifully clean.
I'll Cry When You're Gone (1953)
Two versions of the same song done by members of the broken up Dominoes that came together and formed The Drifters.
Gone - a slower and unpopular version.
Gone - a later version
Much later the Drifters reformatted to be popular to "White" stations with songs like this over produced and stuffed with musical instruments that are icky to the ears - what was the need for the scratchy thing? I won't even subject myself to "This Magic Moment" to put it here.
Under the Boardwalk
Now while I may not like the strings, more power to you if you do, I will not tear the songs in to pieces. I actually do love strings in classical music, modern ballads, movie soundtracks, etc. I think it adds something where as in "Doo Wop" it takes away from what is important "The Vocal Sound."
Now this is just music I've been talking about. I won't even start getting into about how poorly paid these groups were, even when their popularity and record sales surpassed Elvis, Buddy Holly, and Frank Sinatra. I am talking percentages of pennies vs dollars for the more well know white singers.